Kingofdajungle
rookie
Reg.: Feb 2006
Location:
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 29.09. - RumbleIDJungle - ppc - Graz
Nice Price Drum’n’Bass’
Breakage (Bassbin, Critical, Digital Soundboy, Scientific Wax, London/UK)
Equinox (Bassbin, Scientific Wax, Breakin', Metalheadz, London/UK)
Deeizm MC (Progression Sessions, Human Elements Rec., London/UK)
Chris Chronic (BassOrDie, Graz/A)
Lucky Loop (Graz/A)
Kein Vorverkauf, Karten an der Abendkasse erhältlich.
EUR 9.-- (spark7 EUR 8.--)
Bis Mitternacht gilt: 1 Ticket für 2 Personen, zahl einmal und komm zu zweit!
Jeder zahlende Besucher darf eine zweite Person gratis mitnehmen.
Online Kartenreservierung zum günstigen Preis von EUR 7.-- (spark7 EUR 6.--): tickets@zeiger.com
Reservierte Karten werden an der Abendkasse hinterlegt. Reservierungen können nur bis 12 Stunden vor Veranstaltungsbeginn bearbeitet werden.
Breakage (Bassbin, DSB, Scientific Wax, London/UK)
www.bassbin.com
www.digitalsoundboy.com
www.myspace.com/breakagesw
Equinox (Bassbin, Scientific Wax, Breakin', Metalheadz, London/UK)
www.myspace.com/equinoxsu
Chris Chronic
www.myspace.com/bassordiecrew
Breakage (Producer & DJ)
Breakage joined the camp back in 2001, he had had releases on Reinforced, including the remix of Drums, but it was the 'Numbers' EP that really caught our ear. His first release was the double header on Bassbin and Breakin, BB1207 and BRK01, 'Disco 45' / 'Mother Earth' and 'Transbohemia' / 'Spirtitualism'. Things blew up big time for him , with the release of 'So Vain' and it's remix, 'So Mars'. Also produces with DJ Flight under the 'Alias' name. His debut LP 'This Too Shall Pass' is coming this year and features 3 x Vinyl and 2 X CD, A new Year for a new sound from the one and only Breakage.
Also check for www.myspace.com/breakagesw
Equinox
Name: Marlon Sterling
Put simply, Equinox is the Godfather of the Inperspective sound. Respected by the rest of the Inperspective family, Marlon is a veteran of the scene, and true beat scientist. Brought up in Southeast London on a diet of dub, 80s soul, jazz, funk, Detroit techno and much, much more, all the signs pointed to Marlon’s eventual involvement with music from an early age – "I used to rock my head to the rhythm of the washing machine when I was a kid!" Marlon was introduced to the hardcore scene via exposure to acid house and techno by his uncles – "fusing those house sounds with the hip hop breaks, that’s where I got into it, from 1989, 1990," says Marlon. "I just followed it through from there, the more beat driven side. Black Dog, Shut Up And Dance, the Ragga Twins, Nicolette, Forge Masters, Nightmares on Wax, I could be here for ages. There's nuff! Juan Atkins, Carl Craig! I could be here forever. Wizard and the Prince – they were on an American label called City Limits, in conjunction with Nu Groove Records – they did sort of deep house stuff but they started using breaks with it and I was like ‘Gwarn!’"
It was hearing such breakbeat-driven music that drove Marlon to make the move into production. "I got an Amiga 500 in about 1990, with this sampling software called Future Sound – a little four track sample thing. I put loops into it, trying to do Frankie Bones Breaks type things, sampling other tunes and making little megamix things, but after three four minutes everything started to go out of time! Then I got a Roland D5 & Dr rhythm from a friend, had them for about a year and a bit. I started producing with them properly in 1991, that's how I got into it." Hearing Doc Scott’s Here Come The Drums provided Marlon with the push needed to take things more seriously. "Yeah, it was that track which made me say ‘yeah, this is what I wanna do!’"
"I started working for Stage One Distribution on the weekends, and that’s how I came to hook up with Bizzy B. I met Bizzy B one day when I was out distributing in a record shop called Wired For Sound. At the time, I was loving everything Brian (Bizzy B) had done. I had just heard Bizzy B & Peshay's 'Release 2 Dope EP' and so I gave a demo tape to Brian and he gave me a call asking me to come down the studio, and we started the 'Brain Records Crew EP'. I have the upmost respect for Bizzy B as he introduced me to edits on beats. Even though I was a nipper, he had respect for what I was trying to do. If it weren’t for him, I wouldn’t have gone into the technical side of things as much as I have." Get Marlon talking about the red light sessions in Bizzy’s studio, throwing edits back and forward between the pair of them, and his respect for the man is obvious. "My most memorable music related experience is with Bizzy, too – my PA at Innersense at the Lazerdrome with him. We performed The Weekend, Brain Record Crew, The Slate, loads more that I can’t remember. It was ruff!" Marlon’s passion for music is evident when you get him talking about it. Asked what he’s currently listening to, and what has influenced him over the years, he reels off a seemingly endless list. "Larry Heard, Wax Doctor, King Tubby, Aba Shanti. There's just too many – Carl Craig, Juan Atkins, Mayday, there's too many man. I listen to all these people all the time, everyday! I listen to too much! I listen to everything, soul, jazz, experimental… bare different music every day! Dwelle’s LP at the moment, it’s kinda jazzy soul, a kinda Jill Scott type thing, I’m really in it! The Winstons, for coming up with such a rude break, everyone knows what I'm on about, the "Amen" break! Ray Burns, Weather Report, Donald Byrd, Quincy Jones… When I’m not producing music, I just draw sound system and draw the car!" It’s this love of music that motivates him to create his own: "I listen to other people that I’m inspired by and anything different, that motivates me. Love of music is the main thing! That and my emotions, man!" It’s these diverse influences that make for Marlon’s ever evolving sound. "I can't describe my sound, that's for other people to judge it! My style changes each time. Alright, mainly on the more one string vein, but I do a lot of other things that people don't really get to hear."
Over the years that followed meeting Bizzy B, Marlon has worked with a host of other artists, including Threshold (Special Branch), Chris Inperspective, Senses, DJ Dubplate, and the original DJ Renegade. Recently engineering the 2004 remix of DJ Crystl’s Warpdrive, soon to be released on Photek Productions, allowed Marlon to tick off another name on his extensive list of artists who he’d like to collaborate with. "I’d love to work with Paradox, Breakage, Wax Doctor, most definitely! Oh, and obviously Larry Heard! Carl Craig, Squarepusher, Aphex Twin, Liquid Zebra. There’s so many!"
With plans afoot to do a live PA at Technicality with Breakage, excursions into the rnb world and laying down some hip hop instrumentals for fellow Inperspective member MC Q, Marlon’s near future looks hectic. But in 10 years’ time? "I see myself in a nice production company producing these cheesy little blond bimbo pop girls, yamming nuff KFC while at the controls getting fatter!" he says, laughing. "Nah, seriously, doing film scores, making all sorts of music that I like, that I'm influenced from. Producing and remixing for people. I want to be running the studio properly."
Responsible for the tag line often seen associated with Inperspective, "It’s all about the beats", it feels only right to close with another quotable comment uttered by Marlon: "Everybody must listen chopping! Ya have fi understand what one string is all about!"
Discography
Bizzy B & Equinox – The Brain Records Crew / 7 Minutes of Madness / Sympathy / Everybody – Brain Records (1993)
Equinox & Jungle Bunnies – Feeling Da Desire / No Bout Dub – Hard Kicking Toonz SE4 (1994)
Bizzy B & Equinox – The Brain Records Crew VIP – Hardleaders 5 Presents Jungle Dub LP – Kickin’ Records (1994)
Tek-Unlimited – Destruction / Primal Drums – Inperspective
Equinox – Filteration / Alpha Proxima / Obstructive – Inperspective
Equinox – Turbulence / Coastal Vision – Warm Communications
Equinox – Acid Rain – Inperspective
Equinox – Troubled Mind (Imagine The Future) / The Sixth Spirit – Inperspective
Equinox – From Above / Together – Breakin’
Equinox – Love Fantasy / Love Thy Brother– Bassbin
Equinox – Ital Lion Tuff Head / Stagga – Intasound
Forthcoming releases
Equinox – Antarctica / Breakestra Ting – Inperspective
Equinox – Don’t Wanna Hurt You – Bassbin
Equinox – The Phantoms – Subtle Audio
www.myspace.com/equinoxsu
Deeizm (play:musik, DZM, London/UK)
Shelley a.k.a Deeizm writes, sings raps & produces and has multi tasked her way to the top of her game as an international performing artist.
Starting out at The Soul Experience Vocal Academy at 16, Deeizm trained with a gospel choir and teacher until she landed her first record deal just a year later. Her debut was co-written with Ray Hayden (who has also collaborated with Marvin Gaye, Sade, Mary J Blige & Omar), and was released in the UK & Japan on JVC in 1998.
Following this launch into the UK R&B scene, her work with Public Demand & United Grooves Collective took Shelley to Germany where she began her career as an MC. She found that her hip-hop influences and passion for electronic dance music led her to write her own original material for her performances as an MC. Since then Deeizm has blessed crowds from UK – to all over America, from East to Wesretrn Europe, Ausralia to Asia, India to the West Indies and more.
Deeizm's career blossomed the more she was heard, and she soon found herself in a recording studio with MC Conrad of Good Looking Records. Her first MC demo was soon submitted to LTJ Bukem and not only was it the raps and deepness of her MC skills that impressed the GLO camp, but the range in Shelley's voice captured the ear of Bukem the music connoisseur.
The conception of the Makoto & Deeizm duo was when the two were introduced by LTJ Bukem in 2003. Makoto would make a mix, send it to Deeizm, then Deeizm would write a set of lyrics based on Makoto’s set. The two would soon tour with LTJ Bukem and Conrad, released of Progression Sessions 9 mix album in October 2004 and then set off on a worldwide tour.
During the last two years, Deeizm has collaborated with Craggz and Parallel Forces Live for their album ‘Northern Soul’ on Valve Recordings, which was heavily supported by BBC 1Xtra following the band’s live debut on the station, plus another session at Maida Vale studios which saw support from the likes of Jo Whiley and Annie Mac.
Deeizm is currently writing & producing her forthcoming album due for release on Human Elements. You can also check her music production on forthcoming tracks 'Monotonik’ & ‘Stop' Due for release on Bingo in mid-2007, plus collaboration work with Jafrosax, A-Sides, Stamina, Craggz, Marky, Conrad, and of course Makoto.
So watch this space for the next Deeizm installment to your hearts and souls.
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